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Sesando
Indonesia (Timor)
The Metropolitan Museum of Art
"Among the most remarkable string instruments is Oceania is the sesando, a  tubular bamboo zither with ten or eleven metal strings set in a sounding box  made from the frond of a lontar palm. Collected on the Indonesian island of  Timor, this sesando was likely made by a member of the local Rotinese community  whose residents originated on the neighboring island of Roti. Sesando music is  believed to have supernatural powers and, in Rotinese origin traditions, the  genesis of the instrument is given equal place with marriage, mourning, and  death. When playing, the musician uses the right hand to pluck the bass strings  while the left hand plays the treble. The pitch is adjusted with a complex  series of movable bridges and tuning pegs. Occasionally played as a solo  instrument, the sesando is predominantly used to accompany songs with verses  composed in bini, a special poetic language, and refrains in ordinary Rotinese.  The songs are often philosophical, portraying the world as dominated by  inescapable fate and life as at times disappointing and ultimately  fleeting." View high resolution

Sesando

Indonesia (Timor)

The Metropolitan Museum of Art

"Among the most remarkable string instruments is Oceania is the sesando, a tubular bamboo zither with ten or eleven metal strings set in a sounding box made from the frond of a lontar palm. Collected on the Indonesian island of Timor, this sesando was likely made by a member of the local Rotinese community whose residents originated on the neighboring island of Roti. Sesando music is believed to have supernatural powers and, in Rotinese origin traditions, the genesis of the instrument is given equal place with marriage, mourning, and death. When playing, the musician uses the right hand to pluck the bass strings while the left hand plays the treble. The pitch is adjusted with a complex series of movable bridges and tuning pegs. Occasionally played as a solo instrument, the sesando is predominantly used to accompany songs with verses composed in bini, a special poetic language, and refrains in ordinary Rotinese. The songs are often philosophical, portraying the world as dominated by inescapable fate and life as at times disappointing and ultimately fleeting."

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